Barbara Jakše JERŠIČ Stane JERŠIČ_fotografska razstava

DISKRETNI ŠARM MIRU 2_razstava v sklopu 61. srečanja mreže evropskih kulturnih centrov TRANS EUROPE HALLES

Najnovejša serija fotografij Barbare Jakše in Staneta Jeršiča nastaja v angažirani vizualizaciji sodobnih, z uniformnostjo globalizacije ožigosanih urbanih ambientov na različnih koncih sveta. V arhitekturnih okvirih Ljubljane, Dunaja, San Francisca, Münchna, Amsterdama, Graza, Trsta, Benetk in Sarajeva skuša poudariti dihotomijo človekovega funkcioniranja v ambientih sodobnega sveta, v katerem se individualnost posameznika utaplja v splošno sprejetih kodih zapovedanega obnašanja množice. Na izjemno tenkočuten način opozarja na svojevrstno krizo identitete urbanega, saj izpostavlja konflikt med arhitekturo oz. stavbami kot nosilkami lokalne prepoznavnosti, ter ljudmi, ki v naprezanju po aktualnem vživetju v zahteve časa in prostora prostodušno podlegajo vzorcem globalnih trendov. Kot da bi bil realni prostor ujetnik sedanjega trenutka, kot da ne bi bilo zgodovine, morda le še novica prejšnjega ali tega dneva, kot da bi vsaka individualna zgodovina izčrpala svoje motive in se znašla v nenehni izpraznjeni sedanjosti, prestreljeni s ponorelim hlastanjem za čim hitrejšo konzumacijo dobrin. Figure se zlivajo z okoljem, v njem izginevajo, se konformistično zapredajo v njegove nevidne niti in skupaj z njim oblikujejo iluzijo navidezne simbioze, diskretnega šarma miru v hipertrofiranem ritmu vsakdanjega življenja.
(Marko Košan)

THE DISCREET CHARM OF PEACE 2

The latest series of photographs by Barbara Jakše and Stane Jeršič takes shape in the conscious and committed visualization of contemporary urban environments in various parts of the world that have been "branded" by the uniformity of globalization. Within the architectural frameworks of Ljubljana, Amsterdam, Vienna, San Francisco, Munich, Graz, Trieste, Venice and the stigmatized city of Sarajevo tries to emphasize the dichotomy of human functioning in the environments of the modern world, in which the individuality of the human being is drowned in generally accepted codes of the prescribed behavior of the crowd. In a very subtle way draws attention to the unique identity crisis of the urban, by exposing the conflict between architecture – or buildings – as the props of local recognizability, and the people who, in their efforts to accustom themselves to the demands of time and space, ingenuously succumb to the patterns of global trends. As though real space were a prisoner of the current moment, as though there were no history but perhaps only news from yesterday or today, as though every individual history had exhausted its motifs and found itself in an unending, empty present, shot through with a frenzied clutching at consumption, as rapid as possible. Figures blend with the environment, they disappear in it; they wrap themselves conformingly in its invisible threads and, bonded with it, form the illusion of apparent symbiosis, the discreet charm of peace in the hypertrophied rhythm of everyday life.
(Marko Košan)

Organizatorji: KUD Sestava, KUD Mreža, AKC Metelkova Mesto, TRANS EUROPE HALLES
Kaj: Fotografska razstava
Kdaj:
čet, 4.5.06
ob 19.00
Kje: Metelkova mesto - Hostel celica - Galerija Srečišče, Metelkova 8, Ljubljana
2007-05-04 13:00

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